When I first met Krishen Khanna in early 2001, the clean-shaven gentleman in a sharp waistcoat hardly looked like an artist. I was used to most in the community outfitted in kurta-jholas and, in the case of Khanna’s contemporary M.F. Husain, walking barefoot, with his beard and unruly white hair in tousled glory. In contrast, Khanna was […]