Dharma Productions, under the stewardship of Karan Johar, continues to redefine the boundaries of Indian cinema — not just through grandeur and glamour, but through an ever-expanding cinematic vision that embraces both artistic depth and mass appeal. The banner’s latest triumph, Kesari 2, is being hailed as one of its finest offerings yet — a compelling blend of scale, story, and soul.
From Kesari 2 to Homebound, Karan Johar’s Dharma Productions proves its cinematic versatility
Directed by Karan Singh Tyagi and starring Akshay Kumar, R. Madhavan, and Ananya Panday, Kesari Chapter 2 is a bold historical retelling that has not only captured the imagination of Indian audiences but also cemented Dharma’s place as a studio that knows how to marry substance with spectacle. With its powerful recreation of the Jallianwala Bagh massacre and gripping courtroom drama, the film strikes a rare balance — emotionally resonant, politically relevant, and cinematically rewarding.
But the success of Kesari Chapter 2 is only one side of the Dharma coin.
At the other end of the spectrum is Homebound, a quiet, introspective film that has earned the rare honour of being an official selection at the Cannes Film Festival. While Kesari Chapter 2 roars in Indian multiplexes, Homebound whispers its poetry on the international stage — showcasing Dharma’s agility in navigating both the commercial and the artistic realms.
This duality is no accident. It’s a carefully crafted evolution — the result of a studio that has matured from making candyfloss romances into a powerhouse of storytelling with a wide canvas. Whether it’s the opulence of Rocky Aur Rani Kii Prem Kahaani, the coming-of-age realism of Kapoor & Sons, the hard-hitting Raazi, or the minimalist beauty of Homebound, Dharma’s filmography today reflects a creative confidence that few production houses can boast.
By backing a high-octane, mass-friendly film like Kesari Chapter 2 while simultaneously supporting the global aspirations of Homebound, Karan Johar and Dharma Productions have sent a clear message — the studio is not just surviving the changing tides of cinema; it’s leading the wave.
In a cinematic landscape often divided between “festival films” and “box office hits”, Dharma is proving that one banner can do both — and do it well.
Also Read: Karan Johar on casting R. Madhavan in Kesari Chapter 2: “Maddy is an absolutely outstanding actor”
More Pages: Kesari Chapter 2 Box Office Collection , Kesari Chapter 2 Movie Review
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